At the Oscars nominations, “Emilia Pérez” led the pack. “The Brutalist” kept its momentum. “I’m Still Here” entered the race. And you have some viewing to do.
It's no secret that AI productivity tools are becoming widely used across all industries, yet in creative sectors, AI remains a highly controversial topic. While The Brutalist's integration of AI ...
Among the Beetlejuices, the Babygirls and the swathe of movie stars who choked the Lido during the Venice Film Festival back at the tail end of summer, it was this $10million (£8.1m) film that emerged ...
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