Yet one caveat of The 1974 Live Recordings is the fact that Dylan and The Band played a lot of the same songs each night.

Lighters at the ready, because here comes the flood. Drawn from 16-track tape, 1/4in reels and lo-fi sound board cassettes ...

Despite stiff competition on that year's rock-legend road-show circuit-the Grateful Dead touring the massive Wall of Sound speaker system, CSNY reunited, hitting the sheds, and de-uniting in record ...

Bootlegs aren’t really a thing anymore. For youngsters who may have never heard the term, a “bootleg” was a live or studio recording that managed to get leaked to the public outside of a ...

Miles in France – Miles Davis Quintet 1963/64: The Bootleg Series, Vol. 8, due out November 8 via Columbia Records and Legacy Recordings, features four hours of unreleased music that the ...

‘Reagan’ star Dennis Quaid reacted to the song Dennis Quaid, who plays the Gipper in the movie, was pleased that Dylan was involved with Reagan. “I was honored to have Bob join our film ...

Was “Bob the Builder” the inspiration here? On Thursday, Bob Dylan began to trend on X, formerly Twitter. Why? The 83-year-old musician decided to give a song he hadn’t played live since ...

On the traveling Outlaw Festival this summer, when he’s not playing a ton of songs from 2012’s Tempest or covering songs from the ‘50s, Bob Dylan has been having fun with his setlists.

In early 1964, Bob Dylan wrote ... until January 1965.) Dylan was staying at the home of friend and fellow musician Eric von Schmidt when the recording was made—a series of tracks that only ...

It is essential to note that The 1974 Live Recordings is not an entry in the (still?) ongoing Bob Dylan archival initiative known as The Bootleg Series. Instead, This project was conceived and ...

Searchlight Pictures on Friday unveiled a new poster for its Bob Dylan biopic A Complete Unknown, starring Timothée Chalamet as the iconic singer-songwriter, which you can view below. Slated for ...

Hear tracks by Linkin Park, Halsey, Queen Naija and others. By Jon Pareles and Lindsay Zoladz Every Friday, pop critics for The New York Times weigh in on the week’s most notable new tracks.